FDI in Mexico Essay -- essays research papers fc

. FDI IN MEXICO To begin describing how has been the growth and progress of FDI in Mexico it is important to define FDI itself. According to the OECD Economic Outlook of 2003, Foreign Direct Investment is â€Å"an activity in which an investor resident in one country obtains a lasting interest in, and a significant influence on the management of, an entity resident in another country. This may involve either creating an entirely new enterprise or, more typically, changing the ownership of existing enterprises (via mergers and acquisitions)† (157). a.  Ã‚  Ã‚  Ã‚  Ã‚  Mexican International Relations Synopsis Mexico first opened its market in 1973 with a law that promoted Mexican investment and regulated the entry of foreign investment. However, the barriers and limitations it stated turned this law into everything but a promotion law. By 1989, 10 years later, a new regulation came. Politicians were surprised by the contradictions between the regulation and the law: the regulation opened significantly Mexican doors to foreign investment. Four years later, with the leadership of President Salinas de Gortari, a new Law for Foreign Investment was formulated, stating clearer conditions for foreigners (Pà ©rez-Moreno). From this point on Mexico starts simplifying procedures and other guarantees to investors. It is also from this point that Mexico sees the importance of opening its frontiers to international markets by signing bilateral agreements with different countries. No country in the world has signed more free trade agreements: Mexico has celebrated bilateral agreements with 32 countrie s from different areas, including the two biggest markets in the world: the US and EU. Altogether these countries make up a market of about 850 million consumers that is set to increase with the new agreement with Japan. Much of the FDI in Mexico is attracted by the country’s strategic location in North American Free Trade Agreement, which has positioned it as a launch pad to the US and Canada. Agreement  Ã‚  Ã‚  Ã‚  Ã‚  Countries  Ã‚  Ã‚  Ã‚  Ã‚  Publication   Ã‚  Ã‚  Ã‚  Ã‚  Coming into Force NAFTA  Ã‚  Ã‚  Ã‚  Ã‚  United States and Canada  Ã‚  Ã‚  Ã‚  Ã‚  20/12/1993  Ã‚  Ã‚  Ã‚  Ã‚  01/01/1994 FTA-G3  Ã‚  Ã‚  Ã‚  Ã‚  Colombia and Venezuela  Ã‚  Ã‚  Ã‚  Ã‚  9/01/1995&nb... ...ce. All in all, not all responsibility lies on the Congress, but on each one of the Mexicans, the Private Initiative, and the Government in general, in turn to drive the realization of all changes needed. BIBLIOGRAPHY Perez-Moreno, Lucia. â€Å"Inversion Extranjera Directa.† Expansion 22 Apr. 1998. Reforma www.reforma.com Cordoba, Mayela. â€Å"Padece Paradojas el sector Energia.† Reforma 18 Oct. 2004. Dussel Peters, Enrique. â€Å"Hacia donde vamos?† Reforma 14 Nov. 2004. Gonzales, Maribel. â€Å"Frena ‘Terquedad’ el avance en Mexico.† Reforma 29 Sept. 2004. Grupo Reforma. â€Å"Destacan estabilidad economica de Mexico.† Reforma 21 Nov. 2004. Grupo Reforma. â€Å"Refuta gobierno: somos atractivos.† Reforma 14 Oct, 2004. Grupo Reforma. â€Å"Achacan a falta de reformas caida de IED.† Reforma 13 Oct, 2004. Melgar, Ivonne. â€Å"Reconoce ejecutivo perdida de inversion.† Reforma 14 Oct. 2004. Mendez, Luis. â€Å" Niega Gil Perdida de Confianza en Mexico.† Reforma 14 Oct. 2004. Ramirez, Clara. â€Å"Debe Mexico ‘Ponerse las Pilas’ – EU.† Reforma 14 Oct. 2004. Sanchez, Manuel. â€Å"Las condiciones de crecimiento.† Reforma 12 Oct. 2004. Mexican Economic Department www.se.gob.mx Mexican Foreign Relations Department www.sre.gob.mx

Othello Character

loWhen an individual experiences feelings of jealousy towards their partner in a relationship, it often results in feelings of anger and distrust, which cause them to sabotage the partnership and possibly end it. Shakespeare's protagonist, Othello, becomes deceived and unable to decide in whom to place his trust. The noble Moor chooses wrongfully and places himself under the loyalty of Iago, allowing him to corrupt and transform him, destroying his sanity and relationships with others. Consequently, the Moor's trustworthiness and envy become his weaknesses and result in his downfall.In the play â€Å"Othello†, by William Shakespeare, the protagonist's flaws contribute to his downfall from a noble soldier to an irrational man, suggesting that when a an individual experiences jealousy in a relationship, it becomes the corruption that destroys a person's conscience and ultimately the relationship itself. Othello is initially portrayed as an honest natured individual of royal stat us and reasonable character. his love for Desdemona, his wife, acquires him the essence of a respectable, loving husband, implying his success as a firm, yet affectionate husband.After Cassio is relieved of his duties by Othello, Desdemona promises to put an effort into convincing her husband to take him back as his lieutenant. After multiple rejections and rebounds, the Moor finally gives in: â€Å"I will deny thee nothing. / Whereon I do beseech thee grant me this, / To leave me but a little to myself† (Oth. 3. 3. 83-85). Although the Moor was very upset with Cassio, Desdemona's good-natured pleas were enough to change his mind into reconsidering Cassio's position.In saying that he would â€Å"deny [her] nothing† demonstrates his love for her and suggests that there is a special place in his heart for his sweet wife that he cannot help but succumb to at times. Furthermore, Othello's strong, sophisticated character is demonstrated through his logic and patience, empha sizing his greatness as a warrior. Upon being accused false doings and being challenged to a duel with his father-in-law, Brabantio, the Moor calmly responds, â€Å"Hold your hands, / Both you of my inclining and the rest. / Where it my cue to fight, i should have known it / Without a prompter† (Oth. . 2. 82-85). Othello's control over the situation makes it evident that he is a reasonable and gentle man, contrasting his self-control with Brabantio's lack of restraint. Othello's composed reaction makes him seem more rational than his racist father-in-law by thinking his actions through before reacting on impulse. Further analyzing the goodness of Othello, Anthony Hecht comments, â€Å"While everywhere it is noted that he is given to self-dramatization, Iago, who has no affection for him, admits that he is of a free and open nature. Which is to say, he is both guileless and guileful.There is no question of his courage, nor of his weakness† (Hecht 19). Moreover, the trus ting nature of the Moor is reflected in his relationship with others, suggesting his easy-going atmosphere. Needing his wife to be taken care of safely, he tells the Duke, â€Å"So please your grace, my ancient; / A man he is of honesty and trust. / To his conveyance i assign my wife, / With what else needful your good grace shall think / To be sent after me† (Oth. 1. 3. 283-287). Othello's confidence in his relationship with his ancient, Iago, demonstrates his trusting personality.Once the Moor has belief that a man is trustworthy, he will give them his whole heart, making it evident of his value in loyalty. Yet, Othello's respectable qualities become the cause of his corruption, which bring upon jealousy, deception, and delusions, ultimately leading him closer to his tragic death. Although the Moor loves Desdemona greatly, his strong bond with her has taken away the control he held for himself. Plotting against him, Iago muses to himself to himself, â€Å"His soul is so en fetter'd to her love / That she may make, unmake, do what she list, / Even as her appetite shall play the god / With his weak function† (Oth. . 3. 316-319). Saying that Othello is â€Å"enfetter'd to her love†, Iago is suggesting that his love for Desdemona is the Moor's weakness, being â€Å"chained† to her in a way where she â€Å"shall play the god† and take away his mastery since he does not believe the Moor can think for himself. By willingly being with Desdemona, Othello puts himself in a position of vulnerability and cannot blame anyone else for this but himself. Likewise, without seeming so at first, Othello's whole hearted trust in Iago becomes a mistake that he is not aware of initially.As Iago utilizes subtle manipulation on the Moor, he successfully plants the seed of doubt in his mind, suggesting Desdemona's disloyalty to him. Othello says to him: I think thou dost; And, for i know thou'rt full of love and honesty And weigh'st thy words before thou givest them breath Therefore these stops of thine fright me the more; For such things in a false disloyal knave Are tricks of custom; but in a man that's just They are close dilations, working from the heart That passion cannot rule. (Oth. 3. 3. 117-124)The dramatic and verbal irony when Othello describes Iago's â€Å"love and honesty† demonstrates his unwise and gullible nature, making his full trust in him an error. The way Iago's pauses fright [him] the more† concludes that the Moor has been tricked without realizing it and reflects his foolishness despite his strong, controlled character. As critic William Hazlitt suggests, â€Å"Ironically it is Othello's judgment that allows Iago to manipulate him; Othello is a trusting man who believes that people are what they seem, thus believing in Iago because he appears to be honest and loyal† (Hazlitt 29).Subsequently, logic, patience, and self-restraint has become lost in the Moor once his emotions have been u sed against him and his jealousy is played on. After Iago explains a dream he heard Cassio had about making love to Desdemona to Othello, the Moor says, â€Å"But this denoted a foregone conclusion: ‘Tis a shrewd doubt, though it be but a dream† (Oth. 3. 3. 428-429). Then almost immediately after he concludes that â€Å"[he] will tear her all to pieces† (Oth. 3. 3. 432). Othello at this point in the play has transformed from the loving husband he once was, to a jealous individual that must act on his envy as soon as the chance arises.Ignoring the absence of solid proof his wife's disloyalty, he has let Iago torture his conscience with lies and consequently confusing and agitating his sanity. Consequently, Othello's corruption leads to chaos as he realizes too late the destruction his actions have caused that eventually bring him to his tragic death. His hamartia has come into play, which brings upon anarchy and reflects Othello's loss of control and reason. Convi nced without proof that Desdemona has been cheating on him, he proclaims to Iago, â€Å"Damn her, lewd minx! O, damn her! / Come, go with me apart. I will withdraw / To urnish me with some swift means of death / For the fair devil. Now art thou my lieutenant† (Oth. 3. 3. 475-478). The Moor's marriage is officially destroyed and his conclusion to make Iago, the man responsible for causing him grief, his new lieutenant guarantees his doom. His quick decision to kill Desdemona for her unfaithfulness without real evidence demonstrates the destruction his jealousy has caused to their relationship. Inevitably, Othello's corruption becomes an unstoppable force, which ends in the deaths of many innocent lives. After killing his wide and confessing so to Emilia, Iago's wife, Othello explains: â€Å"Cassio did top her.Ask thy husband else. / O, I were damn'd beneath all depth in hell / But that I did proceed upon just grounds / To this extremity. Thy husband knew it all† (Oth. 5 . 2. 136-139). Dramatic irony emphasizes how confused the Moor really is about what is delusion and what is reality because he uses Iago's word as proof, which is false, as well as going as far as to say â€Å"I did proceed upon just grounds to this extremity. † Othello did not actually have a just reason for committing his murderous act as Iago never gave him proof, reflecting the way in which jealousy corrupts the mind and an individual’s entire reasoning.This all becomes evident once chaos was unleashed upon the Moor, which consequently costs him his nobility, marriage and life. The Moor realizes his mistakes too late, but comes to understand that he is reasonably the one to blame for all the devastation he has caused. Upon becoming aware of Iago's true intentions and Desdemona's faithfulness, Othello speaks some of his last words: When you shall these unlucky deeds relate, Speak of me as I am. Nothing extenuate, Nor set down aught in malice. Then must you speak Of one that loved not wisely, but too well; Of one not easily jealous, but, being wrought,Perplex'd in the extreme; of one whose hand, Like the base Judean, thew a pearl away Richer than all his tribe; (Oth. 5. 2. 341-349) Thus, Othello finally realizes his emotions were manipulated to do the deeds of an evil man he once trusted. A part of his old noble character us shown when he asks the soldiers to â€Å"speak of [him] as [he is]. Nothing extenuate, / Nor set down aught in malice. † His humbleness is paired with bitterness because of the needless death of his wife brought upon by his own envious actions, demonstrating his own contribution to his tragic death.Also, as Shawn Smith believes,†If Othello earlier in the scene has been a minister of justice deliberating Desdemona's fate, he is now turning judicial attention to himself, and in doing so he recognizes his own mis-judgments. It is here we see Othello returning to his exotic narratives we associate with his language in the earliest scenes of the play. And in his return to these exotic narratives, Othello offers his retreat from Venetian life – and, indeed, life altogether† (Smith 47). He simply cannot deny the errors in his accusations and the killing of his wife, foolishly â€Å"[throwing] a pearl away. â€Å"By experiencing the delusions of envy, Othello himself becomes the evil force behind the deception and deaths of innocent people, including his own. He is initially loved and respected by many for his lpyalty, royal status, and honourable marriage. Nonetheless, the qualities he is honoured for become his imperfections, resulting in deception, jealousy, and his fall from nobility. Consequently, chaos ensues and destroys a once loving marriage and sane man. Thus, jealousy transforms an individual to harm those they love most, a dangerous and monstrous emotion that requires reason and logic to restrain it from destroying relationships.

Editing and Montage as a Design Tool in Architecture

In this universe we experience retrieve with that imagine the past nowadays and the hereafter. similarly topographic point and juncture, mind and infinite are non outside of each other they both fuse into each other to organize a remarkable experience, merely movie helps us see all of this more clearly than anything else, as it can in no clip takes us back in the yesteryear, likewise in to the hereafter and it besides portions the experiences of present twenty-four hours modern-day universe. movie besides allows a passageway into another universe every bit good transporting its audiences into infinites and environment that makes us experience more existent than anything we experience in our mundane life. the audiences allows themselves to be absorbed by the narrative it offers and they temporarily becomes the portion of that narrative. both architecture and film offer a delicate connexion of physiological and experiential factors. both art signifiers defines human interaction through different facets of life and gives different position for better apprehension of our universe. merely like the architecture is more than merely kick white walls and columns, likewise movie has a batch to offer than showing emended images on a clean white screen. â€Å" Architecture exists, like film, in the dimension of clip and motion. One conceives and reads a edifice in footings of sequences. To raise a edifice is to foretell and seek effects of contrast and linkage Through which one passes†¦ † Jhon novel Film and architecture are two distinguishable professions, but as we explore the both Fieldss both art signifiers have given a batch to each other and their cooperation day of the months back, of all time since the first moving image was introduced in the late eighteenth century, in which images of mundane metropolis life were shown to the audience. the cooperation of the two professions has growing together of all time since as both professions portions a immense common land the coaction has growing questionably until now non merely in the part of the advancement of different thoughts, ideas and visions belonging to different decennaries of this century likewise the usage representation techniques of film has helped to heighten the designers imaginativeness. all through their transcendency movie and architecture strengthen their connexion by larning different rational, nonliteral and practical devices from one and other in order to beef up their ain system of apprehension. â€Å"Although film and architecture are distant humanistic disciplines, dynamic and inactive severally ; their complex relationship gives life to each other. Sharing a common regard for the parallel procedures involved in bring forthing their plants, the Godheads behind these two looks have an apprehension that one will ever profit the other † ( 1 ) there are many parallel procedure in the devising and designing of the movie which is really much related with the designing and representation procedure of architecture, both professions requires the survey of both in order to take the benefit. â€Å" there are movies which can non be a success without an designer working at the background planing existent life sets. which are meant to look perfect in every facet ( doing everything about the movie world based ) † ( 2 ) peculiarly merely as the film depicts life over a large white level surface, likewise the presentation of architecture both in the design procedure and the certification uses the same procedure. each profession has looked into each other in order to derive advantage, both signifiers use similar techniques in their specific design procedure merely as architecture can non be done without paper, theoretical accounts, pulling likewise movie requires all these techniques for its devising in the design procedure. Prof.Francis Penz speaks of this confederation Architects can surely larn from the filmmaker’s ability to stand for and travel through infinites. They can besides larn from the trade and aesthetic of studio-made characteristics where film makers have brought a peculiar vision to bear upon the sets and the architecture in which the histrions move. Architects may profit to understand that their 3-dimensional representations are a ‘natural set’ for the geographic expedition of infinites in motion, which may assist to look at one’s work in a less inactive manner. Similarly, the manners of representation used by architecture pupils, as mentioned above, utilizing drawings, physical theoretical accounts and more peculiarly computing machine lifes, may represent an interesting starting point for the movie industry ( 3 ) hence many film makers take aid from designers for the flawlessness of their unrealistic edifice signifier to convey life and world in those constructions. Similarly the designers besides take benefit from the architecture of movie by acquiring inspired from the futuristic attack of movies, apart from this the techniques used in the film such as collage, redacting, semblance, illuming, motion in infinite have ever been demand of the architecture in assorted design procedure of about every edifice. likewise merely as the designers takes control of upon every facet of the edifice design a movie manager acts as important component is planing of a movie. With the release of city in the late 1920s wholly changed the position how people related movie and architecture and it made the connexion between the two Fieldss stronger than of all time before. the release of the movie brought about a new civilization in Germany of excessively big sized hoardings as it became a new manner in Germans movie industry, which was in the procedure of following American criterion in Berlin entirely adding about 20 film theatres each with a 1000 seats to its stock of 380 film theatres. Bringing images of screen into the street these tremendous advertizements narrowed the spread between movie and world and merged for an instant movie and architecture. The release of the movie besides gave rise to the argument about the hereafter of Berlin as the film reveals the modern-day captivation with a edifice type that stood at the centre of the widespread about the hereafter of German metropoliss. â€Å" Metropolis was rich in the subterraneous content that, like contraband cross the boundary lines of consciousness without being questioned † ( 4 ) The movie was a success as it addressed issues of urban hapless and societal agitation, pros and cons of the usage of technolog, generational struggles and delivering power of the faiths. cities shown and depicted overdone version of dark American streets with a construct of cardinal tower that had played such an of import portion in recent treatments and that represented the most conservative and modern-day attack to skyscraper design and town planning in Germany. it was this film which made a immense impact on urbanist motions in other movies as good where the function of monumentality and the function of skyscraper continued. Both movie and architecture have many similar elements in their devising, if we talk about architecture it is the infinites which are required to be organized in a coveted mode to accomplish a peculiar design where as in movie devising images are organized in a certain mode. in the instance of movie doing it undergo the process of three stages, the expressive portion of thenarrative, the spacial usage of mise en scene and the important portion of montage/editing. brian vocalist the manager of movie X-men, the usual suspects provinces â€Å" has stated about the formal procedure that â€Å"a movie is designed three times in production ; at first on paper, 2nd at the set and 3rd in the editing/montage room.† ( 5 ) likewise movie shaper micheal explains the 3 phase procedure of movie devising â€Å" 1. Always, under any fortunes, write and convey a book to your shoots. a book or screenplay is written program of the movie in your imaginativeness. it includes duologues as good the scenes, what the histrions do, the particular effects, the music and so on ( The narration ) 2.storyboards/ mise en scene are a great manner to visualise your shootings and set some construction in your a narrative board is series of illustration or images displayed in a sequence to give others an thought of how the scene will look 3. production and post-production ( collage ) which means you shoot movie along with the dramatis personae and crew. Post-production is the most fun portion its fundamentally consists of redacting of movie and adding effects † ( 6 ) Narrative in movie devising: – narration in the movie devising is the portion which describes the basic thought of the narrative, it describes assorted impressions that the movie brings with its ego it is one of the BASIC of the movie, narrative besides depicts the chief subject of a movie and around which the narrative of the movie is revolves. in the devising of the movie the narrative is merely an fanciful conceptual procedure and it aids to construct up the primary phases of movie design. mise en scene/story board: – It is the procedure in which the existent visual image of each scenes takes topographic point, it is the representation of the necessities of the movie such as puting up the narrative and presenting it to the audiences in this the objects with in the frame are operated through compositional criterions, the elments which can change or help the mise en scene can be the lighting, colour, back land scene, camera angles and the placement of the characters. Editing, Montage/ production: – this is the most indispensable portion in the devising of the movie as it is what completes the movie by the procedure of cutting and gluing and it forms a relationship between the shootings if we compare these techniques to architecture it can be deduced that to a certain grade all of these movie devising procedures are used in architecture every bit good, it is known that visual image or development of fanciful edifices, the work and patterns of designers can be influenced from these movie devising procedures. In add-on to illustration techniques of cinematic techniques such as narrative, semblance, motion, editing/montage, narrative board, cut, illuming have besides been used for the demands of architecture as the constituent of design. harmonizing to Gallic designer Jhon Novel says that his undertakings are really much influenced by the filmic techniques, harmonizing to him disclosures made by movie managers are as something that architects do themselves in planing their edifices. Apart from jhon novel if we by and large look at different plants of architecture it can be analyzed that both art forms uses similar techniques in their development procedure. these techni ques people use in architecture consciously but many people have been utilizing these techniques unconsciously somehow or the other.NARRATIVE AS DESIGN TOOL IN ARCHITECTUREJewsih museum by Denial LibiskindIn Jewish museum Berlin Deinal libiskind uses the art of storytelling through architectural linguistic communication and edifice signifier, the garden of expatriate, the three axes of the German-Jewish experience and the nothingnesss together these pieces form a ocular and spacial linguistic communication the Jewish museum depicts history of events to the visitant while every infinite unfolds itself and organize a narrative by picturing series of events which took topographic point in Berlin ‘s past history.EDITING/MONTAGE AS A DESIGN TOOL IN ARCHITECTURECollages of Ludwig Mies Van Der RoheMies is celebrated as a maestro builder, with his attending to detail and keep proportions taking to consummate and surprisingly poetic constructions. His axioms are quoted in schools: â₠¬Å"God is in the details† and, of class, â€Å"Less is more.† But he was every bit consummate in two dimensions, as the presently running MoMA exhibition â€Å" Cut ‘n’ Paste: From Architectural Assemblage to Collage City † brought to our attending. The exhibition showcases works from the well-known collagists Archigram, OMA, and Superstudio, but besides includes several montages by Mies—collages seldom seen in academic or retrospective treatments of the architect’s work. It is easy to state that the montages are Mies’s work at a glimpse ; their understatedness, their restrained yet powerful work of art, draws the oculus. Many of the montages are toneless, mostly made up of whitespace ; line-drawn position grids define the fields of floor and ceiling, while two, or possibly three, dividers block positions out of plate-glass Windowss. Many of these dividers are adorned with patterned marble or modernist pictures by Kandinsky or â€Å"Guernica† by Picasso. The culmination—Mies at his wildest—is a montage for a Chicago convention hall, in which the walls are a deep green marble decorated by province seals, the ceiling is a deep steel grid with an American flag draping down, and which features crowds of people cut from newspapers. Bibliography1.griger, Murray.Space in Time: Filming Architecture.199. 2.TIM BERGFELDER, SUE HARRIS, SARAH STREET.FILM ARCHITECTURE AND THE TRANSNATIONAL.s.l. : Amsterdam Uniiversiity Press. 3.penz, Frances.architecture and film.s.l. : Academy Editions, 1994. 4.kracauer, siegfried.from calgiri to hitler: a psychological history of German movie.s.l. : Princeton university imperativeness. 5.vocalist, brian. 6.micheal.eastern visible radiations productions’ short movie web log.The Three Stages of Filmmaking.[ Online ] eastern visible radiations production. [ Cited: November 29, 2013. ] http: //easternlights.wordpress.com/2008/08/11/the-three-stages-of-filmmaking/ .

Comparing and Contrasting Beowulf and Odysseus Essay

The characters of Beowulf and Odysseus can be considered a contrast between ice and fire wherein one and is violent and uses its strength to consume and subdue while the other is cool and calculating preferring a patient yet affective approach to solving problems. When referring to the characteristics of fire and ice I am referring to Beowulf as fire and Odysseus as ice this is due to the fact that Beowulf uses his brute strength and force of will to combat his foes while Odysseus uses his cunning and wit to trick his foes into submissions. Analysis of Beowulf In the epic of Beowulf, he conquers and defeats 3 enemies, first is Grendel, then the mother of Grendel then finally a dragon. In all three instances Beowulf comes out on top not through using his mind rather by using his enormous strength. In the fight between him and Grendel he used his bare hands to kill the creature since no mortal weapon could supposedly kill it, when fighting the mother of Grendel he was able to escape death due to the armor he was wearing and was able to defeat the creature through the sheer luck of finding a massive sword nearby capable of beheading it. Towards the end of the epic when Beowulf fought the dragon he was able to defeat it only at the cost of his own life and this was due to the fact that his men abandoned him when they saw the fearsomeness of the dragon. From all these examples you can see that Beowulf is a character similar to that of Hercules in Greek mythology who is a slave to his emotions, uses his brute strength to solve problems instead of his brains and in the end succumbs to death by means of fire (Hercules died on a funeral pyre while Beowulf was mortally wounded by a dragon which is an embodiment of fire). We can conclude that in a sense Beowulf was a powerful hero who was famous for his strength but not for his brains, this particular characteristic might be due to the fact that since epic of Beowulf was Germanic in origin and the area at the time of the poems writing was a harsh wasteland the poem embodied elements that would have been relatable to people at the time who valued strength to endure the harsh the environment rather than intelligences. Analysis of Odysseus Odysseus is presented in both the story of Troy and that of the Odysseus as a person who possessed a modicum of great strength but was more famous for his wisdom and intellect. In the story of Troy he was the one who devised the means of entering the gated city by using a massive wooden horse that contained hidden troops that able to enter the city walls, open the gate and let the invasions force in. Throughout the Odyssey we see that Odyssey continuously uses hs mind to escape dire situations, from his escape from the Cyclops that tried to eat him and his men, to charming the witch Circe, to convincing the Phaeacians to lend him a boat to get back to Ithaca, throughout the story we see how Odysseus uses his mind to triumph and escape from most situations. In a sense we can say that Odysseus is the embodiment of a hero that the ancient Greeks admired since he possessed all the qualities that they valued namely an intelligent mind, great strength and above all empathy for his fellow man. Analysis of Beowulf and Odysseus All in all both characters were embodiments of the traits valued by the regions where their tales emerged as such you can say that both Beowulf and Odysseus were ideals that the local populace in their regions wanted to become or live up to. In the end both heroes have their own defining traits and it isn’t exactly a case of who is the better hero but rather who better embodied the spirit of the region they were created in. List of References Hamilton, Edith. â€Å"Mythology Timeless Tales of Gods and Heroes. † (1942). Warner Books, New York. â€Å"The Incredible Voyage of Ulysses. † Publishers Weekly 257. 8 (2010): 65. KAKUTANI, MICHIKO. â€Å"Odysseus Engages In Spin, Heroically. † New York Times (2010): 1 Clausen, Christopher. â€Å"Epic Distinction. † Archaeology 63. 2 (2010): 8. Moen, Christine Boardman. â€Å"Stepping into the Classics. † Book Links 19. 3 (2010): 43-46.

Research methods in Architecture Essay Example | Topics and Well Written Essays - 2250 words

Research methods in Architecture - Essay Example Architects and design innovation, as recognized by the Royal Institute of British Architects (RIBA) leans towards the inclusion of innovation and efficiency towards energy reduction constructions, which are directly related to the carbon footprint (Dye 2014, p. 2). Researchers have individual preferences in conducting research, as there is no mandatory approach that is predetermined by field authorities or agencies, towards a certain subject or topic (Reason & Bradbury 2006, p. 48). In this critique, the objective is to make a comprehensive analysis and discussion of the methodologies used by Omar Nagati and Celia Lury in the Theory Forum in Border Topology, covering Blurring boundaries, reconstituting borders and Double-Blind, Double Bind: The plane that disappeared respectively. The presentation by Nagati captures the transformation through which Cairo underwent, in a time when the authority seemed void. The presentation covers the idea of boundaries in the context of social and economic profiles, encapsulating the separation and marginalization of Egypt. The reconstruction of boundaries and the people retaking the city is captured in the presentation, with before and after images presented as evidence to portray the progress that has been made by the society. The common concept in the reconstruction of borders is the public space, which attracts the question of belonging and ownership. The temporary absence of the government provided the citizens with an opportunity to engage in a revolt by which reconstitution of infrastructure occurred. The approach used in the development of the presentation involved a lot of data gathering where the images of the subject through different phases were captured (McNiff & Whitehead 2006, p. 88). The research appears to have documented the change through which the society experienced, concentrating on the public spaces and the changes called for by the society, in an effort of reducing

Leadership and Organizational Culture Essay Example | Topics and Well Written Essays - 4000 words

Leadership and Organizational Culture - Essay Example From this paper it is clear that there are totally four CEO’s whose leadership style is different. The leadership style of an individual highly depends upon the individual behaviour of the person and set of attitude and beliefs molded in his mind. Some believe firmly that autocratic leadership style will bring out more productivity. Some believe that participative leadership is best and some others feel that free reign is best. The behaviour and the set of attitude possessed by the person is what make the person implement such leadership strategy within the organization. This study outlines that leading can be done in many ways depending upon the individual parameters. Leadership issues are mostly found in organizations and it is highly oriented towards the top level management within the organization. The overall effectiveness of the organization is depended upon the capability of the leader to manage the resources effectively and efficiently to achieve the organizational goals and objectives with an increase in the overall productivity. It is not only the responsibility of the leader to clearly identify and define the goals and objectives of the business, but also involves designing and framing useful methods by which those goals and objectives can be accomplished. â€Å"In organizations, leadership is about influencing employees to buy into the vision of the leader, motivating them to deploy all resources available at their disposal to achieve objectives set by the leader†.

Beslan incident and the evaluation of the consequences Essay

Beslan incident and the evaluation of the consequences - Essay Example When Gorbachev dissolved the communist party and formed the Common Wealth of Independent States (CIS) this gave most of the Soviet Socialists states their independence but the economical relationship still existed. Russia’s economy was in a state of total disarray in the mid 90’s and the economy almost collapsed in the 1997 when the Russian government had to stop the trading of the rubble on the international market, when the September 11 attacks took place, the United States of America retaliated with attacking Afghanistan and this caused major changes in the world, the oil rich countries received a shock and as if Afghanistan wasn’t enough the USA followed it up by attacking Iraq and hence the oil prices rocketed sky high and this is what helped Russia the most because its economy started recuperating on the back of rising oiling prices. This was a major point because Russia is now able to repay debts before time and has since been able to throw around its weig ht on the political scenario that is quickly developing and evolving into a multi polar stage rather than being just uni-polar with Britain and Russia being the countries that have been able to voice their concerns and also do something to follow up with those voices. In 1994 the first Chechen war was fought and due to a lack of planning from the Russian military they had to face a lot of casualties and were demoralized very early into the war, it last 2 years and after that a peace treaty was signed. This treaty was not able to guarantee any peace and the second Chechen war started in 1999 with Russia showing its might and bombarding the area using its air force, followed up by a ground attack and hence they were successful this time around in capturing Chechnya. In February of 2000 the Russians were finally able to capture Groznyy but the fighters of different militant groups vowed to keep up the resistance till death or freedom and